DBT Week in Review - 5/22/09

DBT!

DBT and fine wine.

I do love the internets.

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If you haven't listened to this yet, you should. It is really, really good.

Drive-By Truckers On Mountain Stage : NPR Music

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Jason Thrasher has some excellent photos of the Truckers et al on his new website.

Jason Thrasher Photography Rock Photography

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NineBullets.org - Message Board • View topic - Tons of House Concert Recordings Available Online:

Thanks to Jeff from the Guitartown email list he's now in the process of making his entire collection of area house concerts available online in both audio and video formats. I had the good fortune to be at some of these including the second night of the farewell shows at Pine Hill Farm as well as the Gourds at the old church in Nashville, NC.

http://www.jeffsmusicvault.com
http://www.jeffsvault.net
http://web.me.com/grinderman64/Jeffs_Vault/Shows.html

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Jason Isbell and the 400 Unit

Congrats JI400!

MySpace.com Blogs - FAME Music Group MySpace Blog:

"NASHVILLE, May 20, 2009 – The Americana Music Association announced the nominees for the trade organization’s 2009 Honors and Awards ceremony today at its annual celebration at BMI Nashville. The show, in its eighth year, will be held September 17 at the Ryman Auditorium in Nashville, Tennessee."

ALBUM OF THE YEAR
Real Animal, by Alejandro Escovedo
Written in Chalk, by Buddy & Julie Miller
Jason Isbell & The 400 Unit, by Jason Isbell & The 400 Unit
Midnight At The Movies, by Justin Townes Earle

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Dexateens

Bettye LaVette

MySpace.com Blogs - Bettye LaVette MySpace Blog:

"Having conquered the ghosts of a hard-luck past on her GRAMMY-nominated CD The Scene of the Crime, BETTYE LAVETTE shines a new light on that past with her latest, A CHANGE IS GONNA COME SESSIONS. The digital-only EP for Anti- Records, available exclusively through iTunes starting June 16, revisits BETTYE’s forgotten post-Atlantic Records years as a nightclub singer, Broadway performer, and touring cast member opposite Cab Calloway in “Bubbling Brown Sugar.”

The EP opens with a stirring solo version of Sam Cooke’s posthumous Civil Rights anthem “A Change Is Gonna Come,” a song which BETTYE sang with Jon Bon Jovi in January as part of the “We Are One: The Obama Inaugural Celebration at the Lincoln Memorial” concert. Joining BETTYE for these Sessions are pianist and musical director Al Hill, veteran bassist John Heard – who has accompanied such luminaries as Count Basie, Cole Porter, Ella Fitzgerald, and Art Pepper – drummer Danny Frankel (k.d. lang, Lou Reed), and Tom Hagerman from DeVotchKa on strings."

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San Francisco Peeps

Sheryl is a bud of mine from SF. She does some great Rock jewelry.

Rebel Chic: Rock Candy Design Jewelry | sfindiefashion.com:

"Candy isn’t always best when it’s sweet. Case in point: accessories from Rock Candy Design, a San Francisco jewelry line with a rebellious streak we wholeheartedly approve of.

Pieces like the Brothel Token pendant draw on the shady ladies of the Barbary Coast for inspiration, while the Cocksucker charm necklace caught our eye for its literal sensibilities and obvious conversation starting-appeal. You’ll fare far better than Bret or Daisy with a silver “diamond” as your new Rock of Luv, while metal multi-chain necklaces and bracelets deliver the kind of stage-worthy wow factor we’d use to amp up a simple black top and jeans.

Made by Sheryl Gould, who started out creating jewelry at a young age using wire and materials from her dad’s hardware store, each piece is designed to worn by men or women – a quality she dubs “unisexy.” Gould tells us, “I appreciate seeing men wear jewelry, when they wear it well.”"

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Garrin Benfield is a great singer/songwriter from the Bay Area. I met Garrin when I hired him as an exam proctor a few years ago.

Check out his JamBase review:

The Dead | 05.10.09 | Mountain View on JamBase

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Music

Genius.

Scritti Politti: May 19, 2009:

"Citing his ongoing feud with EMI over the prior album, Danger Mouse's new Dark Night of the Soul will be released and sold exclusively as -- get this -- a blank CD-R. It will be up to the buyer to find the music through other means and burn it onto the CD.

Per a statement from the Mouse:

Danger Mouse's new project Dark Night Of The Soul consists of an album length piece of music by Danger Mouse, Sparklehorse and a host of guest vocalists, along with a collection of original David Lynch photography inspired by and based on the music. The photographs, which provide a visual narrative for the music, are compiled in a limited edition, hand numbered 100 page book which will now come with a blank, recordable CD-R. All copies will be clearly labeled: 'For Legal Reasons, enclosed CD-R contains no music. Use it as you will.'"

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Fuck Mal-Wart.

Green Day Vs. Wal-Mart:

"NEW YORK — Green Day has the most popular CD in the country, but you won't be able to find it at your local Wal-Mart."

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Bailing Out The RIAA? | Techdirt

At the Tech Policy Summit yesterday, David Carson, the General Counsel of the US Copyright Office spent a bit of time at the beginning of his talk explaining why the Performance Rights Act made sense. This is the bill that would make radio stations pay musicians (rather than just songwriters as it is now) for every song they play on the radio. The recording industry insists that it's somehow unfair that radio stations have been promoting their music for free, and Carson seems to believe their explanation 100% (which is, unfortunately, quite typical of the Copyright Office). He argued, unconvincingly, that while radio used to promote artists (the reason that stations don't need to pay musicians), it no longer does so. That makes no sense. While there are alternatives out there for promoting artists, and radio may not have the impact it once had, that hardly means that the stations aren't promoting the music.

And, of course, the most damning argument against the recording industry's demand for money here is the fact that, for decades, the industry has (illegally) had the money go in the other direction. The system of payola has shown, quite clearly, how much the recording industry values airtime, in that it's willing to pay radio stations to play its music.

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